Tag Archives: librarians

Supporting the Avid Young Writer in your Life

Although I’m still relatively new to being a published author, I’ve already done more than a hundred school visits. They are often long days, but I find them energizing and they really motivate me to finish the next book. Often a teacher catches my eye during a visit and wants to have a word with me about a student. Almost every time it’s an avid writer who produces volumes of stories or poems—finished, unfinished, skillfully written or simple, wildly creative or somewhat familiar. And what they want to know is what to do with all that writing.  images-1Teachers are great at teaching children who can’t write or won’t write or need lots of support to write. I am routinely impressed by the dedication of teachers I meet. So they can see that the avid writer needs guidance, too, but they are often at a loss about where to begin. Parents of these kids are often equally in the dark—proud, but unsure of how to best support a budding author. I have four kids myself, some of whom are avid writers so it’s a topic I’ve given a lot of thought. Here are three things you can do to nurture the young writer in your life.

  1. Help them save and safely store their work.

I’m bad at this myself. I love my stories but I don’t take very good care of them.  Unknown-5One of the most helpful things a teacher or parent can do is set up a file to keep stories both those finished and those abandoned. Most working writers begin as many as a dozen stories for every story they finish. So it isn’t important for your avid writer to finish every project they begin. Learning when to set aside a story that isn’t working is an important skill, too. But many times a writer will return to an old idea with a fresh insight and make a new story from one that wasn’t working before. Sometimes a character that didn’t work on a first try is exactly what you need in a different story. So having those files accessible is a gold mine. If your students write on a computer, getting them in the habit of a daily back up to a disc or thumb drive helps. Because thumb drives are easily lost, it’s also good to email a file and store it at the email account.

  1. Help them find with a time and place for writing.

imagesWhen writers get together, one of the most common topics of conversation is the struggle of finding a time and place to write. Some young writers are great at tuning out their surroundings and writing wherever they are—school bus, dinner table, math class. This of course has problems of it’s own.  But students who need a little privacy to write may need help finding a quiet corner of the classroom or an undisturbed nook in the house, and a few free afternoons a week.

I know a 4th grader who came to school one day on fire with a great idea for a screenplay. She begged her teacher for time to write it and he agreed, letting her use the class computer through all the lessons, recess and even lunch that day. In five hours this girl wrote the first three and a half acts of a screenplay. In the last half an hour of the day the teacher asked her if she could show at least a part of her work to the class so they could see what a screenplay looks like. She chose a scene she wanted feedback on and got the class to read the roles out loud. As a result a half dozen other kids got the screenwriting bug for a few weeks. A gift of time like that is a rare and precious gift for a young writer and went a long way to helping this child believe she could be a professional writer some day.

Instructional time is precious and extra curricular activities are valuable, too, but for the avid writing child nothing is so enriching as simply the time and place to create something new.

  1. Help them find a writing community.

absolutely-truly-9781442429727_lgI don’t know a single author who works alone. Most of us have critique groups or at least a writing partner. They are people who help us work out all the many details of writing well. It means the world to me that if I’m stuck I can call on my neighbors Heather Vogel-Frederick, author of Absolutely Truly, or Susan Blackaby, author of Brownie Groundhog and the February Fox, and go out for coffee and just talk through a writing problem.Unknown-4

For young people community can be hard to find. A teacher who is aware of two or more avid writers might encourage them to join the newspaper staff or school literary magazine. Younger students might find kindred spirits in a Newbery Club or on a Battle of the Books team.

The connection need not be formal and organized. I met two eighth grade cousins on a school visit who have an ice cream date every Sunday after church to work on the YA novel they are writing together. Some kids enjoy fan fiction websites because they create a sense of community and offer a place to share work.

Some communities are wonderful about offering writing opportunities for children and teens. Here are two of the best children’s writing communities here in Portland, Oregon and I hope you will add your local resources in the comments.

League of Exceptional Writers.

Every Second Saturday from 2 to 3 at the Powells Bookstore on Cedar Hills Blvd. in Beaverton from October to May.

Come meet your fellow writers, learn the craft of writing from amazingly talented and friendly authors, bring your own work to share and get feedback. Anyone ages 8-18 is welcome.

We have two sessions left this school year. April 11th Anne Osterlund will talk about developing strong characters. On May 9th Fiona Kenshole will talk about the role of literary agents in the book world.

Young Willamette Writers

First Tuesdays of the month from 7 to 8, the young Willamette Writers meet in their own space during the meeting of the adult Willamette Writers. They practice the craft of writing in the company of great writers from all over the region. The meeting is held in the Old Church on SW 11th and Clay in Portland.

If you’ve got a great kids writing group in your town, please share in the comments!

 

 

Promotion and the Big Publishing House

The hook I see self-publishing presses use more often than any other is to claim that the major publishing houses no longer promote the books they publish. They suggest that authors are all on their own even at the big houses to arrange their own publicity, so you might as well go with a self-published press and get a bigger share of the pie. It’s a tempting line of thinking but one which can sometimes prompt a decision a writer later regrets.

Harold Underdown has an excellent post on the things a traditional publisher does for your book here. This is my take on the issue. I have a novel out this year. It’s one that I’ve worked on for more than 15 years and is very dear to me. My publisher, Random House, is not sending me on a book tour or buying product placement for me in the chain bookstores or featuring me at the big book conferences–BEA and ALA. And am I upset? Not in the least! Here’s why.

Nobody expects this book to be a blockbuster, not my publishers, not my reviewers, and not me. We all know that what we’ve got here is a solidly written book that will be of interest to fans of historical fiction and useful to teachers and librarians. It’s exactly the kind of book which never gets attention in the self-publishing market which is a great place to discover a highly commercial book like Fifty Shades of Gray but a dismal venue for a literary children’s novel. But with a traditional publishing house we don’t need Written in Stone to be a blockbuster. We just need it to reach it’s intended audience. And to that end my publisher has done a number of extraordinarily intelligent (but not highly visible) things in the marketing of this book.

1. Editorial Process

First and foremost I have the expertise of an editor with lots of experience and a heart for what makes a book work for a kid reader. He also knows what the school and library market is looking for so he made sure I got all the room I needed for a detailed authors note. And did I have to pay him? Nope. Part of the package.

2. Cover design

I love this cover! It does everything a cover needs to do and is a work of art besides. Did I have to find the nationally known artist Richard Tuschman and convince him to do this work? Nope. All that coordination and design work was done by the talented cover team at Random House. They took the few reference photos I sent and their own love of story and made magic happen.

3. Reviews

One of the hardest things to do as a self-published author is to get review attention for a book, even a really good book. I don’t even have to think about it. Part of the package.

4. Teacher’s guide

Pat Scales made a gorgeous teachers guide and my publicist has been great about sending copies of it out to bookstores doing fall teacher previews. Even better, you can download it for free. Because I’m a teacher I could have made this on my own, but it would have taken weeks of research through the common core to do it properly and then there is the design and layout–an entirely different skill set which I do not possess.

5. Sales Reps

Because my book is of regional interest the local sales reps at Random House featured the book in their meetings with the largest library systems in the northwest. It not only encourages book purchase but highlights the title to the group of people who sit on award committees and choose state-wide reading lists. It’s a very smart move and not something I could ever set up on my own for just one book.

6.Book Tour

Here is the best part: they didn’t send me on a book tour! A tour is expensive and puts a lot of pressure on the author to recoup the expense in book sales. Instead they’ve let me set up my own book events in venues where I know I can generate interest, with book sellers who have supported me in the past, and at schools who are invested in bringing me to speak to their students. I get to pick a schedule that works with my family’s commitments. I can take advantage of family or sports events travel and couple it with speaking engagements. I can pull together something at last minute to do a favor for a friend who is suddenly without a speaker at their conference. I can plan a whole year in advance for a week long author-in-residence. Yes, this is a lot of work, but the payoff in terms of relationships built in the business will benefit me for years to come so it’s time well worth investing.

7. Support

Even though they aren’t flying me all over the country, they are supporting me in my travels with timely responses to my communications, and on time shipments to the bookstores where I speak. They’ve never missed a shipment–not once. They keep my back list in good supply. I never have to worry if the books will be there. This reputation is one of the reasons bookstores are willing to have me in. They make it look easy to have a seamless supply and delivery of books, but I bet it isn’t.

8. Prompt conversion to paperback

About half the schools I contact for visits want to wait until my title is in paperback so that they can afford a full classroom set and the students can afford to buy their own book. No problem! The paperback comes out in a year. We can go ahead and schedule into next school year knowing an affordable book is on the way. And just like all the rest, it’s part of the initial contract I don’t have to make it happen all on my own.

None of this is intended to disparage self-published work. There is outstanding craft in self-published books. I’m very excited to see a new book award from SCBWI for self-published work. But I’m also sad for people who have been swan-songed into going it alone on a book that would be better served in a traditionally published venue. So before you decide to go it alone, think about what you are turning down with a traditional publisher. It might be worth the wait and the careful rewriting and polishing of your story to get your foot in the door.

 

 

 

 

Gratitude for Booksellers and Librarians

My parents first took me to Powells Bookstore clear back in 1972 or so when it was a tiny place tucked away in northwest Portland. I’ve been a fan of indy bookstores ever since. In fact the kind of books I write would not be possible without knowledgeable and passionate booksellers helping readers find just the right fit.

Written in Stone by Rosanne ParrySo I was elated today when I saw that the independent bookstore Andersons in the Chicago area had named WRITTEN IN STONE to it’s 2013 Mock Newbery list. The complete list of 25 contenders for the Newbery medal here at the Anderson’s website.

 

 

6-8 Poster

I am also very grateful to the librarian’s who have chosen Second Fiddle for this years Oregon Battle of the Books list for 6th to 8th graders. It’s a fabulous program where kids form teams, read a slate of 15 books, and answer questions about them in a quiz bowl format. It’s great fun and I’m proud to be on the same list as my friends Laurel Snyder with Bigger than a Breadbox, Operation Redwood by S. Terril French, and Night of the Howling Dogs by Graham Salisbury. If your school does not know the joy of the book battle here’s where you can go for more information. 

So happy new school year to all you wonderful school librarians who do so much to help kids find books to grow on.

And a big thank you to the following independent bookstores who have invited me to come share my books. I’ll have a full list of bookstore appearances up on my calendar soon.

A Children’s Place Bookstore in Portland, OR

Waucoma Books in Hood River, OR

Klindt’s Bookstore in The Dalles, OR

Rediscovered Bookshop in Boise, ID

Aunties Books in Spokane, WA

Village Books in Bellingham, WA

Secret Garden Books in Seattle, WA

The Linden Tree Books in Los Altos, CA

Stay tuned for dates and times!