Tag Archives: parents

Supporting the Avid Young Writer in your Life

Although I’m still relatively new to being a published author, I’ve already done more than a hundred school visits. They are often long days, but I find them energizing and they really motivate me to finish the next book. Often a teacher catches my eye during a visit and wants to have a word with me about a student. Almost every time it’s an avid writer who produces volumes of stories or poems—finished, unfinished, skillfully written or simple, wildly creative or somewhat familiar. And what they want to know is what to do with all that writing. Teachers are great at teaching children who can’t write or won’t write or need lots of support to write. I am routinely impressed by the dedication of teachers I meet. So they can see that the avid writer needs guidance, too, but they are often at a loss about where to begin. Parents of these kids are often equally in the dark—proud, but unsure of how to best support a budding author. I have four kids myself, some of whom are avid writers so it’s a topic I’ve given a lot of thought. Here are three things you can do to nurture the young writer in your life.

Help them save and safely store their work.

I’m bad at this myself. I love my stories but I don’t take very good care of them. One of the most helpful things a teacher or parent can do is set up a file to keep stories both those finished and those abandoned. Most working writers begin as many as a dozen stories for every story they finish. So it isn’t important for your avid writer to finish every project they begin. Learning when to set aside a story that isn’t working is an important skill, too. But many times a writer will return to an old idea with a fresh insight and make a new story from one that wasn’t working before. Sometimes a character that didn’t work on a first try is exactly what you need in a different story. So having those files accessible is a gold mine. If your students write on a computer, getting them in the habit of a daily back up to a disc or thumb drive helps. Because thumb drives are easily lost, it’s also good to email a file and store it at the email account.

Help them find with a time and place for writing.

When writers get together, one of the most common topics of conversation is the struggle of finding a time and place to write. Some young writers are great at tuning out their surroundings and writing wherever they are—school bus, dinner table, math class. This of course has problems of it’s own. But students who need a little privacy to write may need help finding a quiet corner of the classroom or an undisturbed nook in the house, and a few free afternoons a week.

I know a 4th grader who came to school one day on fire with a great idea for a screenplay. She begged her teacher for time to write it and he agreed, letting her use the class computer through all the lessons, recess and even lunch that day. In five hours this girl wrote the first three and a half acts of a screenplay. In the last half an hour of the day the teacher asked her if she could show at least a part of her work to the class so they could see what a screenplay looks like. She chose a scene she wanted feedback on and got the class to read the roles out loud. As a result a half dozen other kids got the screenwriting bug for a few weeks. A gift of time like that is a rare and precious gift for a young writer and went a long way to helping this child believe she could be a professional writer some day.

Instructional time is precious and extra curricular activities are valuable, too, but for the avid writing child nothing is so enriching as simply the time and place to create something new.

Help them find a writing community.

I don’t know a single author who works alone. Most of us have critique groups or at least a writing partner. They are people who help us work out all the many details of writing well. It means the world to me that if I’m stuck I can call on my neighbors Heather Vogel-Frederick, author of Absolutely Truly, or Susan Blackaby, author of Brownie Groundhog and the February Fox, and go out for coffee and just talk through a writing problem.

For young people community can be hard to find. A teacher who is aware of two or more avid writers might encourage them to join the newspaper staff or school literary magazine. Younger students might find kindred spirits in a Newbery Club or on a Battle of the Books team.

The connection need not be formal and organized. I met two eighth grade cousins on a school visit who have an ice cream date every Sunday after church to work on the YA novel they are writing together. Some kids enjoy fan fiction websites because they create a sense of community and offer a place to share work.

Some communities are wonderful about offering writing opportunities for children and teens. Here are two of the best children’s writing communities here in Portland, Oregon and I hope you will add your local resources in the comments.

League of Exceptional Writers.

Every Second Saturday from 2 to 3 at the Powells Bookstore on Cedar Hills Blvd. in Beaverton from October to May.

Come meet your fellow writers, learn the craft of writing from amazingly talented and friendly authors, bring your own work to share and get feedback. Anyone ages 8-18 is welcome.

We have two sessions left this school year. April 11th Anne Osterlund will talk about developing strong characters. On May 9th Fiona Kenshole will talk about the role of literary agents in the book world.

Young Willamette Writers

First Tuesdays of the month from 7 to 8, the young Willamette Writers meet in their own space during the meeting of the adult Willamette Writers. They practice the craft of writing in the company of great writers from all over the region. The meeting is held in the Old Church on SW 11th and Clay in Portland.

If you’ve got a great kids writing group in your town, please share in the comments!

To #%& or not to &^%$#: Swearing in Middle Grade Fiction

The expectations for the use profanity in children’s fiction are pretty clear. It’s commonplace in YA novels and completely absent in picture books and easy readers. But middle grade fiction takes the middle ground. Is swearing okay in a middle grade book? Well, it’s complicated. The issue is balancing authenticity with respect for your audience. Everybody encounters profanity; it is a language intensifier and can be useful in conveying the weight and reality of your characters situation. And yet it is the nature of profanity to offend, so any use will have consequences in how the book as a whole is received. As a practical matter MG books with profanity tend to be shelved with YA no matter how young the character is. This is not necessarily a problem, To Kill a Mockingbird and it’s 9 year old protagonist Scout have been doing just fine in the YA section of the library for the last five decades. Even so any use of profanity should be carefully considered. When I’m confronted with an opportunity to use a swear word in my novels, here are five choices I consider.

Omit

Every time I use profanity I rewrite the scene with out it, let it sit for a day or two and read the result out loud. I have been surprised by how often the scene was stronger without the swear word. Sometimes profanity is just a habit of the author and not integral to the character’s worldview or the movement of the plot.

Reduce

My editor once told me that swearing is loud on the page in a way that it is not in real life. I think of it as the equivalent of yelling or texting in all caps. As the mom of many I can tell you yelling is most effective when used sparingly—usually when lives are at stake. I think the last time I actually yelled at home was when someone’s sleeve caught on fire while roasting a marshmallow. Because swearing functions as an intensifier, it’s power is diluted by overuse. If I am working with a character who would naturally swear a lot, I’ll run a word search and see if I can limit the swearing to places where it will have the most impact.

Evade

Sometimes you can duck the issue when the swearing is done by a non-viewpoint character. When I was working on Second Fiddle I knew that the moment that the girls discovered that they were all alone in Paris with no money, no passports and no return train tickets, any normal eighth grader would swear. But my main character wasn’t really the swearing type. Instead, I had her report that her friend said every swear she knew in English and then moved on to exhaust her supply of swear words in French and German. This preserved the authenticity of the scene without getting into a specific swear word.

Substitute

Here is one of the more entertaining devices of MG fiction. Most kids get in trouble for swearing, and yet they have the same need for the occasional language intensifier as everyone else. So kids are great at making up substitutes. It’s the “drat, darn, and golly” solution, and it has great comic potential. The advantage to a curse word substitution is that it can also serve to convey information about the character and setting and lighten the mood of an otherwise tense situation. We had a fascinating conversation at a bookstore event recently with some women who wrote adult mysteries. There is an expectation in adult cozy mysteries that swearing is omitted so this author had her spice shop owner detective say things like, “Well that just frosts my chili peppers!” I had no idea such rules extended to the world of adult books.

Commit

There are circumstances in which the first four choices are wrong for the voice of the character or the gravity of the situation. And in those cases swearing maybe appropriate. Freedom of Speech means nothing if we never use it, and if you have used profane speech appropriately in your book you will find both people who passionately attack any use of profanity and those who just as passionately defend your right to tell the story as you must, free of censure. I opted to use swearing to a very limited extent in Heart of a Shepherd, having considered and discarded the above considerations, and it has done no harm whatsoever to the book. It was warmly received, sold well, and was carried by Scholastic Book Clubs. A few libraries don’t shelve it in k-4 schools. I really have no argument with that. Most teachers who read it aloud chose to skip or modify the swear word in the classroom. No argument there either. On the other hand, many teachers and parents have told me that because they weren’t expecting profanity in a middle grade book, it gave them a good opportunity to discuss where profanity is socially acceptable and not, and what it was about that particular scene that made a character swear when he ordinarily wouldn’t. In my opinion that’s a conversation worth having.

I’d love to hear what other people consider when making decisions about profanity, both in terms of writing and in terms of sharing books with middle grade kids as a parent or teacher or librarian.

Book Recommendations for the Tender-Hearted Reader

People ask me for book recommendations all the time and the type of books they are most often looking for are what I think of as books for the tender-hearted reader. Sometimes the reader is very young and reading well above grade level. This type of reader wants the challenge of a book with a substantial plot, but doesn’t want the emotional intensity, romantic interest or scary content found in some books for older readers. Sometimes the reader is an older child who suffers nightmares, is unusually empathetic, or simply prefers a gentler tale.

Often such readers either choose books written a generation ago when the public taste in children’s books was more restrained or historical fiction, which by the nature of it’s content tends to be quieter and less edgy. These readers often enjoy non-fiction and poetry as well.

Here is a list of contemporary novels that I think will meet the needs of the tender-hearted. I will only post books I’ve read myself. So it will be a slowly growing list. Please contact me if you have a title you’d like to recommend. I will post a very brief description of the books I’ve chosen and provide links to author websites where possible. Check back often for updates.

Middle Grade Novels

Seraphina by Rachel Hartman--This is an intricate and fascinating story of a world in which a tenuous treaty holds between dragons and humans and Seraphina walks a dangerous line between both camps. There’s a lot here for a precocious young reader: heaps of action without grotesque violence, intrigue without soul killing viciousness, a dollop of romance without off-putting detail.

The Spy Mice Series by Heather Vogel Frederick—James Bond for 9 year olds!

The Mother Daughter Book Club Series by Heather Vogel Frederick—a series similar to the

Sisterhood of the Traveling Pants but for younger girls.

Larklight and Starcross by Phillip Reeve—light-hearted science fiction with a very British sense of humor.

Up and Down the Scratchy Mountains by Laurel Snyder—as much adventure as you can possibly have when you bring along a prairie dog and a dairy cow.

The Five Ancestors Series by Jeff Stone—if you love action and adventure but don’t like magic, this kung fu series set in ancient China is for you.

The Penderwicks Series by Jeanne Birdsall—a story about the adventures of four sisters. It’s a contemporary story but in the spirit of Little Women.

Oddfellow’s Orphanage by Emily Winfield Martin--I was originally drawn to this book by its wonderfully retro artwork. It has the feel of a classic from the 20s or 30s, and is possibly the gentlest orphan story every told with charming illustrations on nearly every page. This one is on the young end of middle grade and might make a good first chapter book to read aloud together.